Karan Aujla’s latest music video, “5-7,” brings together live-action cinematography and detailed visual effects to create a series of sequences that appear remarkably natural on screen. Behind several of these visuals is the VFX work of Eastape Films, which has released behind-the-scenes material showing how CGI, live-action VFX and digital compositing were combined during the production.
Directed by Agam Mann and Aseem Mann, the music video features VFX by Eastape Films, with Navi Joshi and Veerinder Singh credited as VFX Producers. Following the release of “5-7,” the team shared production photographs and VFX breakdowns that offer a closer look at the techniques used to build some of the video’s most visually distinctive moments.
The Car Drift Scene Combines Live Action and CGI
Among the most noticeable sequences in “5-7” is the car-drifting scene featuring Karan Aujla. At first glance, the sequence appears to be a conventional live-action stunt, making its digital treatment less obvious in the finished music video.
The VFX breakdown reveals a more complex production process. CGI and live-action visual effects were combined with the original footage, allowing digital elements to be integrated into the shot without disrupting its realistic appearance.
That seamless integration is central to the impact of the sequence. Rather than making the VFX visibly prominent, the digital work supports the action and overall visual style. The before-and-after comparisons released by the team offer a clearer view of how the original footage evolved into the final frame.
Award Show Environment Built Through CGI
The award-show sequence provides another example of the role CGI plays in the music video. Karan Aujla is shown receiving an award within what appears to be a large-scale, professionally produced event setting.
The finished environment, however, was enhanced through CGI and digital compositing rather than relying solely on a physical award-show venue. VFX comparisons shared by Eastape Films and the production team reveal how the original footage was developed into the final scene.
The sequence highlights how modern filmmaking can place a performer within an environment that is largely created or expanded digitally. Such techniques give filmmakers greater control over the scale, atmosphere and visual composition of a scene while reducing the need for extensive physical sets.
Island Sequence Shows Digital Environment Creation
An island sequence near the end of “5-7” takes the use of visual effects a step further. The completed shot places Karan Aujla within a broad island landscape, creating a setting that feels significantly larger than the original filmed environment.
According to the VFX breakdowns, the final setting was developed through a combination of digital visual effects and compositing. The original footage served as the foundation, while additional digital elements were used to build the wider environment seen in the finished video.
The sequence demonstrates another application of contemporary VFX. Instead of simply modifying an object or enhancing a filmed action, digital production can help construct an entire environment around live-action performers.
Behind-the-Scenes Material Offers a Closer Look
The VFX material released after the music video also provides a glimpse into the people and production stages behind “5-7.” Photographs shared through the social media accounts associated with Eastape Films, Navi Joshi and Veerinder Singh show members of the VFX and production teams working around the music-video shoot.
For viewers, these images provide useful context that is not visible in the finished version of the song. Several of the comparisons show a substantial difference between the source footage and the final frames, illustrating how much of the visual identity of a music video can be developed during post-production.
The material also underlines the collaborative nature of modern music-video production. Cinematography, direction, VFX, compositing and post-production increasingly work together to create a single visual experience rather than operating as isolated stages.
How Much of ‘5-7’ Was Created After Filming?
The VFX breakdowns show that some of the most visually prominent moments in “5-7” involved significant work beyond the original camera footage. The car-drift sequence, award-show environment and island setting each incorporate CGI, compositing and digital manipulation at different stages.
For Eastape Films, the project brought together several areas of visual-effects production within one music video. As VFX Producers, Navi Joshi and Veerinder Singh were involved in coordinating the visual-effects work alongside directors Agam Mann and Aseem Mann and the wider production team.
The most interesting aspect of the breakdown is the contrast between the source footage and the finished visuals. A scene that appears to be a real-world stunt, a large award ceremony or an expansive island location can ultimately depend on multiple layers of filmed material, CGI and post-production.
The “5-7” breakdown therefore offers an insight into how visual storytelling in contemporary Indian music videos is evolving. By combining live-action footage, CGI, compositing and digital post-production, filmmakers can create convincing environments while retaining greater creative control over the final image.
For audiences watching Karan Aujla’s “5-7,” the behind-the-scenes material adds another layer to the viewing experience. It reveals how scenes that appear straightforward on screen can involve detailed visual-effects work long after the original footage has been captured.
Watch Karan Aujla’s “5-7” Music Video
The complete Karan Aujla “5-7” music video is available on YouTube. Eastape Films has also shared additional material documenting the VFX process and the visual development behind the project. Check out the video here.